{"id":856,"date":"2025-04-23T11:46:27","date_gmt":"2025-04-23T11:46:27","guid":{"rendered":"https:\/\/trajektoria.net\/?page_id=856"},"modified":"2026-08-17T08:57:51","modified_gmt":"2026-08-17T08:57:51","slug":"soundpainting","status":"publish","type":"page","link":"https:\/\/trajektoria.net\/en\/soundpainting\/","title":{"rendered":"Soundpainting"},"content":{"rendered":"
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Soundpainting was created in New York in 1974 by Walter Thompson himself and, like any language, it continues to evolve around the world today. New dialects, jargon, and gestures emerge, while various interdisciplinary groups of artists\u2014both underground and professional\u2014use it to create all kinds of real-time performances.<\/strong>.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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a universal language<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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SOUND\nPAINTING<\/h1>\t\t\t\t<\/div>\n\t\t\t\t
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According to Walter Thompson<\/strong> is a universal, multidisciplinary language of gestures for musicians, actors, dancers, and visual artists, used to compose live performances.<\/em><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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our credentials?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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The only ones in Poland<\/h1>\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tsoundpainting in Poland\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\tTrajektoria Theater's journey with Soundpainting\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t

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In November 2024, as part of Trajektoria's launch,<\/strong> Mateusz Barczyk - leader and director of Trajektoria Theater - became the first in Poland<\/strong> to use the Soundpainting technique, using it to compose a live performance with an interdisciplinary group of actors, musicians, and a visual artist.<\/span><\/p>\n

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Soundpainting aligns with Trajektoria Theater\u2019s aesthetic\u2014theatrical performances using this language usually fall somewhere between improv theater and classical drama. Soundpainting leaves plenty of room for improvisation. For instance, when The soundpainter<\/strong> gives the performers the \"minimalism\" sign, they are simply signaling that they expect a short proposal: for actors, this might be a single, repeating line; for a musician, a rhythmic sequence of sounds; and for a visual artist, a sequence of images. However, the material itself is created by the performers of each discipline, while the Soundpainter is primarily responsible for the overall coherence of the composition.\u00a0<\/span><\/p>\n


However, unlike standard improv theater, <\/span>improv theatre<\/span><\/i>the performer doesn't make all the decisions on their own, and their synchronization with the rest of the ensemble\u2014or lack thereof\u2014depends entirely on the Soundpainter. Furthermore, the performance draws on material that has been rehearsed and memorized in advance<\/span>such as <\/span>Pallets, universal pallets, defaults, configurations, <\/span><\/i>etc.)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Mateusz Barczyk attended his first Soundpainting workshop in 2023 with Omar Galvan at the Improdrom festival in Bydgoszcz, where he took part in the show as a performer. However, his biggest revelation came from an interdisciplinary Soundpainting performance staged in 2024 at Flock Theatre in Amsterdam by David Moncada. That show featured two actors, two dancers, a visual artist, a violinist, and a percussionist.\u00a0<\/span><\/p>\n

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Inspired by David, Mateusz began taking private lessons with the creator of Soundpainting, Walter Thompson. In 2026, he is completing his certification as a professional Soundpainter. In addition, Mateusz is participating in the Soundpainting Think Tank 2026 in New York, where Soundpainters from around the world gather to share their experiences.<\/span><\/p>\n

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Soundpainting is therefore an artistic language that can be used across almost any discipline - not only to create performances, but also for education, recreation, and performance art in the broadest sense. And every theater using this language treats it purely as a tool, crafting completely unique compositions.\u00a0<\/span><\/p>\n

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Soundpainting performances by Trajektoria Theater have been presented at, among others:<\/span><\/p>\n

    \n
  • 30.11.2024 CSK Mrowisko, Gliwce (Premiere)<\/span><\/li>\n
  • 14.03.2025 CSK Mrowisko, Gliwce\u00a0<\/span><\/li>\n
  • 12.09.2025 DK Witosa, Katowice<\/span><\/li>\n
  • 22.11.2025 Trajektorie Teatru, Katowice<\/span><\/li>\n
  • 10.04.2026 Wiecz\u00f3r Impro-Teatralny, Katowice<\/span><\/li>\n<\/ul>\n

    \u00a0<\/p>\n

    Soundpainter:<\/strong> Mateusz P. Barczyk<\/span><\/p>\n

    Live music:<\/strong>\u00a0<\/span><\/p>\n

    Piano:<\/strong> Mateusz Wicher, Magdalena Baron, Wiktoria Faerber<\/span><\/p>\n

    Electric guitar \/ accordion:<\/strong> Wiktoria Faerber<\/span><\/p>\n

    Performing:<\/strong> Amelia Konieczka, Magdalena Baron, Karina Pieni\u0105\u017ckowska, Magdalena Wylotek, Hanna Gawe\u0142, Wiktoria Horba, Agata Fu\u0142at, Rafa\u0142 Dubel, Maciej Nowobilski, Mateusz Wicher, Adam Kupiec, Arkadiusz Nadarzewski, Wojciech Owczarek, Wiktoria Fr\u0105ckowiak, Magdalena Licznar.\u00a0<\/span><\/p>\n

    Live visualization:<\/strong> Amelia Konieczka<\/span><\/p>\n

    Premiered:<\/strong> Gliwice, CKS Mrowisko, 30.11.2024<\/span><\/p>\n

    Photos:<\/strong> Jakub Kara\u015b, \u0141ukasz Sieworek<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    Soundpainting zosta\u0142 stworzony w 1974 w Nowym Yorku w\u0142a\u015bnie przez Waltera Thompsona i, jak to j\u0119zyk, do dzi\u015b rozwija si\u0119 na ca\u0142ym \u015bwiecie. 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