{"id":1378,"date":"2026-04-16T12:33:15","date_gmt":"2026-04-16T12:33:15","guid":{"rendered":"https:\/\/trajektoria.net\/?page_id=1378"},"modified":"2026-04-16T13:01:07","modified_gmt":"2026-04-16T13:01:07","slug":"fragmentarium-uncaged","status":"publish","type":"page","link":"https:\/\/trajektoria.net\/en\/fragmentarium-uncaged\/","title":{"rendered":"Fragmentarium: Uncaged"},"content":{"rendered":"
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UNCAGED<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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FRAG
MEN
TARIUM<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u015awiat nie jest zbudowany z rzeczy, ale z linii relacji, ruch\u00f3w i przep\u0142yw\u00f3w, kt\u00f3re nieustannie si\u0119 ze sob\u0105 splataj\u0105 (Ingold, 2019).<\/p>

I to dzieje si\u0119 we Fragmentarium: Uncaged <\/em>Pierwotna koncepcja projektu zak\u0142ada\u0142a przepisanie spektaklu Fragmentarium<\/em> na wersj\u0119 plenerow\u0105<\/strong>, jednak szybko eskalowa\u0142o to w co\u015b znacznie wi\u0119cej<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tmoc rekwizytu\/scenografii\t\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\t\trusztowana kopu\u0142a\t\t\t\t\t<\/p>\n\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Punkt wyj\u015bciowy stanowi tu element plasuj\u0105cy si\u0119 mi\u0119dzy rekwizytem a scenografi\u0105 – metalowe rusztowanie kopu\u0142owe, przy kt\u00f3rym (zar\u00f3wno wewn\u0105trz, jak i na zewn\u0105trz) aktorzy i tancerze tworz\u0105 etiudy improwizowane.<\/span><\/p>

Na zewn\u0105trz kopu\u0142y znajduje si\u0119 akompaniator, buduj\u0105cy klimat syntezatorowymi brzmieniami, a tak\u017ce mikrofon, pozwalaj\u0105cy tworzy\u0107 narracj\u0119 z offu<\/strong>.\u00a0<\/span><\/p>

Gra tutaj przede wszystkim \u015bwiat\u0142o i konstrukcja, stwarzaj\u0105ca pozorny podzia\u0142 na \u201ewewn\u0105trz\u201d i \u201ezewn\u0105trz\u201d. Sceny bywaj\u0105 abstrakcyjne, ale i znaczeniowe – w\u00f3wczas konstrukcja gra dom, wie\u017c\u0119, schron, \u015bwi\u0105tyni\u0119, UFO, b\u0105d\u017a cokolwiek innego.\u00a0<\/span><\/p>

Ze wzgl\u0119du na kszta\u0142t konstrukcji, przywodz\u0105cy na my\u015bl klatk\u0119<\/strong>, przyj\u0119li\u015bmy za\u0142o\u017cenie zgodne z improwizatorsk\u0105 filozofi\u0105 Micka Napiera (2004), by nie gra\u0107 tego, co najbardziej oczywiste, a wi\u0119c by konstrukcja nie symbolizowa\u0142a klatki.<\/span><\/p>

\u00a0<\/p>

Kopu\u0142a nie funkcjonuje zatem jako stabilna scenografia (czyli \u201eobiekt\u201d), tylko jako w\u0119ze\u0142 relacji:<\/span><\/p>

  • mi\u0119dzy wn\u0119trzem a zewn\u0119trzem,<\/span><\/li>
  • mi\u0119dzy cia\u0142em a przestrzeni\u0105,<\/span><\/li>
  • mi\u0119dzy d\u017awi\u0119kiem a ruchem,<\/span><\/li>
  • mi\u0119dzy \u015bwiat\u0142em a materi\u0105.<\/span><\/li><\/ul>

    Kopu\u0142a staje si\u0119 wi\u0119c tzw. \u201emeshwork\u201d, czyli spl\u0105tan\u0105 sieci\u0105 (Ingold, 2018). Dzieje si\u0119 tak, bo kopu\u0142a:<\/span><\/p>

    • nie zamyka,<\/span><\/li>
    • nie reprezentuje,<\/span><\/li>
    • tylko umo\u017cliwia wydarzenie si\u0119 relacji.<\/span><\/li><\/ul>

      Nazwa Uncaged<\/em> jest tak\u017ce ho\u0142dem do amatorskiej, nieoficjalnej grupy filmowej Uncaged Production<\/em><\/strong>, dzia\u0142aj\u0105cej na \u015al\u0105sku w latach 2017-2020.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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      Spektakl Fragmentarium: Uncaged<\/strong> to debiut Teatru Trajektoria w spektaklu plenerowym. Jednak ze wzgl\u0119du na rozmiar kopu\u0142y (3,5 \u015brednicy podstawy, 1,5m wysoko\u015bci) mo\u017cliwe jest wystawienie spektaklu na scenie.<\/span><\/p>

      Spektakl Fragmentarium: Uncaged<\/em> wystawiany by\u0142:<\/span><\/p>

      • Plenerowo: 13.07.2025, Park Miejski, Tarnowskie G\u00f3ry<\/span><\/li>
      • Scenicznie: 17.10.2025, DK Witosa, Katowice<\/span><\/li><\/ul>

        \u00a0<\/p>

        Re\u017cyseria:<\/strong> Mateusz P. Barczyk<\/span><\/p>

        Muzyka na \u017cywo:<\/strong> Mateusz Wicher<\/span><\/p>

        Obsada:<\/strong> Amelia Konieczka. Magdalena Wylotek, Wiktoria Poczekajczyk, Wiktoria Horba, Rafa\u0142 Dubel, Agata Fu\u0142at, Karina Pieni\u0105\u017ckowska<\/span><\/p>

        Premiera:<\/strong> 13.07.2025, W ramach festiwalu Teatralne Parkowanie<\/em>, Park Miejski w Tarnowskich G\u00f3rach<\/span><\/p>

        Fotografie:<\/strong> Weronika Straszek<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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        <\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

        UNCAGED FRAGMENTARIUM \u015awiat nie jest zbudowany z rzeczy, ale z linii relacji, ruch\u00f3w i przep\u0142yw\u00f3w, kt\u00f3re nieustannie si\u0119 ze sob\u0105 splataj\u0105 (Ingold, 2019). I to dzieje si\u0119 we Fragmentarium: Uncaged Pierwotna koncepcja projektu zak\u0142ada\u0142a przepisanie spektaklu Fragmentarium na wersj\u0119 plenerow\u0105, jednak szybko eskalowa\u0142o to w co\u015b znacznie wi\u0119cej. moc rekwizytu\/scenografii rusztowana kopu\u0142a Punkt wyj\u015bciowy stanowi […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-1378","page","type-page","status-publish","hentry","entry","owp-thumbs-layout-horizontal","owp-btn-normal","owp-tabs-layout-horizontal","has-no-thumbnails"],"yoast_head":"\nFragmentarium: Uncaged - Trajektoria<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/trajektoria.net\/en\/fragmentarium-uncaged\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fragmentarium: Uncaged - Trajektoria\" \/>\n<meta property=\"og:description\" content=\"UNCAGED FRAGMENTARIUM \u015awiat nie jest zbudowany z rzeczy, ale z linii relacji, ruch\u00f3w i przep\u0142yw\u00f3w, kt\u00f3re nieustannie si\u0119 ze sob\u0105 splataj\u0105 (Ingold, 2019). I to dzieje si\u0119 we Fragmentarium: Uncaged Pierwotna koncepcja projektu zak\u0142ada\u0142a przepisanie spektaklu Fragmentarium na wersj\u0119 plenerow\u0105, jednak szybko eskalowa\u0142o to w co\u015b znacznie wi\u0119cej. moc rekwizytu\/scenografii rusztowana kopu\u0142a Punkt wyj\u015bciowy stanowi […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/trajektoria.net\/en\/fragmentarium-uncaged\/\" \/>\n<meta property=\"og:site_name\" content=\"Trajektoria\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=61557908557124\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-16T13:01:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/trajektoria.net\/wp-content\/uploads\/2026\/04\/IMG_2620.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1366\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/trajektoria.net\\\/fragmentarium-uncaged\\\/\",\"url\":\"https:\\\/\\\/trajektoria.net\\\/fragmentarium-uncaged\\\/\",\"name\":\"Fragmentarium: Uncaged - 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